#artificial intelligence dream analysis
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psychicreading-live · 1 year ago
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zag102 · 4 months ago
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More Human than Human: The Untimely Definitive Analysis of Blade Runner That Nobody Asked
Was Deckard a replicant? I found the answer: it doesn't matter.
One of the most talked about elements of the Blade Runner movie franchise is whether Deckard is a human or a replicant. After extensive research I have found the definitive answer: It doesn’t matter. Let’s settle this once and for all. It doesn’t matter. The reason is because any difference between replicants and humans is irrelevant and, by the time of the first Blade Runner movie, the time of…
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myladynoire · 4 months ago
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The Nightmare of Manufactured Beings
Comparing Miraculous Ladybug’s Sentimonsters and Companion (2025)
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I just watched Companion (2025) and as a long-time fan of all things Senti/Peacock who’s also written multiple fics dealing with the matter, I needed to write down my thoughts. This review/analysis naturally contains spoilers for Companion as well as for the last few seasons of Miraculous.
The idea of artificially created lifeforms is a very old concept in science fiction and fantasy, from Mary Shelley’s Frankenstein (I have a whole fic dedicated to exploring the parallels between Victor Frankenstein and the Peacock Miraculous) to Harlan Ellison's I Have No Mouth and I Must Scream, and Philip K. Dick’s Do Androids Dream of Electric Sheep? But in recent years, at least two distinct pieces of media (Miraculous and the 2025 film Companion) have explored this theme through a disturbingly similar lens. Both feature beings created to serve human desires, only to grapple with their own identity, autonomy, and oppression. While Miraculous presents this idea through the magical constructs known as Sentimonsters, Companion takes a more grounded sci-fi horror approach with an AI-driven protagonist. Despite their different genres and target audiences, both works reveal extremely disturbing truths about control, manipulation, and what it truly means to be human (or not!)
For those who don’t know, in Miraculous, Sentimonsters are magical beings brought to life through the Peacock Miraculous. While originally used to create temporary creatures, the show eventually reveals that full-fledged people can be Sentimonsters as well. The most striking example is Adrien Agreste, heavily implied (and later confirmed) to be a Sentimonster created by his parents. This means that Adrien’s entire existence is conditional on an external object, the amok, a magical feather, remaining intact. The same is true for other Sentimonsters like Félix, whose awareness of his nature sets him apart from Adrien. Félix understands that his autonomy is, to a certain extent, limited, and that at any moment, someone could seize his amok and force him into submission or even erase him entirely if he isn’t careful.
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Now compare this to Companion, where the protagonist, Iris, is a highly advanced AI companion engineered to be the “perfect” girlfriend (they also use the word “sexbot/fuckbot” in the movie). Like Adrien, she initially believes she is fully human, unaware that her existence has been engineered for the pleasure of another: her reddit incel boyfriend, Josh. This is very obviously the target demographic of Empathix, the corporation who makes these AI companions, and it is only a stretch further than the inflatable sex dolls that currently exist.
But as the film progresses, Iris begins to piece together the horrifying truth: she has no real agency. Her thoughts, feelings, and even her ability to resist are dictated by external programming. She was never meant to have a will of her own, only to fulfill the desires of the man who “owns” her. She also finds out while playing around with her own settings that Josh has set her intelligence level at a frankly insulting percentage.
Both Miraculous and Companion paint a picture of what it means to be a being created for someone else’s control. The most horrifying realization is the fragility of their existence. Iris, Adrien and Félix (and other Sentis) exist only because their creators allow it. A simple command, a single external force, could end them in an instant. They are hostages to the whims of those who hold their metaphorical (or literal) leash.
The “Perfect” Creation: The illusion of choice
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In Companion, Josh chooses Iris as his ideal partner, shaping her to his desires. She was never supposed to question him, never supposed to resist, just love him unconditionally. Similarly, in Miraculous, the implication that Émilie Agreste (and by extent, Gabriel) created Adrien as the “perfect son” raises disturbing ethical questions. Did they construct Adrien simply to have a son who would never defy them? A son they could mold into whatever they wanted? If Adrien is a Sentimonster, then every act of obedience he performs is tainted by the horrifying possibility that it isn’t truly his own choice. I could write an entire separate post about Émilie Agreste and her role in this situation. In my opinion, she is far from an innocent bystander. As I’ve mentioned before (and explored in many of my fics) Émilie played a role in this, albeit a more subtle one compared to Gabriel. The way Gabriel speaks to his son, much like the way Josh speaks to Iris, is not the language of a loving parent or partner, but that of someone addressing their device. In other words; an owner speaking to their possession.
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Félix, who understands his nature better than Adrien, is there to show us what happens when an artificial being rebels. He refuses to be controlled, snatches his amok from his father’s still warm corpse, and actively manipulates others (Gabriel/Monarch, and Ladybug) to secure his autonomy. In Companion, Iris undergoes a similar transformation. Once she realizes what she is, she refuses to accept her predetermined role. The twist of the film comes when she begins to fight back against Josh’s control, proving that even beings that were created for submission will, given the chance, seek freedom.
Both narratives raise the same questions: If a person is created to be subservient, do they ever truly have free will? And if they do break free, are they still bound by their origins, or can they create their own destiny?
I think maybe the most chilling commonality between Miraculous and Companion is the ease with which their protagonists can be erased. 
In Miraculous, if a Sentimonster’s amok is destroyed, they cease to exist. A single moment of destruction can erase a life as though it never happened. Similarly, in Companion, Iris’s entire existence is tethered to her programming. If Josh (or anyone else) decides to “shut her down,” she could be wiped out. Maybe not in an instant, but there are multiple fail-safes and available solutions to destroy her.
Going off on a slight tangent, I think this parallels real-world fears about artificial intelligence and disposable labor. If AI beings ever gain sentience, would they be treated as living entities, or as products to be discarded when they are no longer convenient? The same question applies to Sentimonsters. Even though they think, feel, and love, they are ultimately considered “lesser” by their creators. Gabriel, in particular, seems to consider Sentimonsters other than his son as tools, easily replaced and ultimately expendable. They are nothing more than playthings for the incredibly wealthy and immoral; the infamous 1%. This is starkly illustrated in the Gabriel Agreste episode, which makes an unmistakable nod to the Rothschild Surrealist Ball, a real-world gathering synonymous with excess, exclusivity, and the decadence of the elite.
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Iris, the Senticousins and Kagami are constantly at the mercy of forces beyond their control. Their existence is conditional, fragile, and, worst of all, subject to the whims of people who see them as objects rather than individuals.
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“But I am real”: Iris, Adrien, Félix, and the existential dismissal of artificial beings.
Another important aspect I wanted to touch on and that immediately made me want to write a full comparative analysis while I was watching the movie was the existential crisis that automatically comes with finding out the truth about yourself. I have dealt with this subject matter in fics like Amor Fati and perhaps most prominently in The Postmodern Prometheus (where the Sentibeing character must quite literally defend their own personhood in front of an entire audience of sceptics).
In Companion, Iris, after realizing her true nature, also desperately tries to argue for her own personhood. She brings up memories, emotions, and experiences that she believes make her real, challenging the idea that her artificial origin invalidates them. Josh, the man who supposedly loved her, dismisses her entirely. No matter how many valid arguments she presents, he refuses to see her as anything more than an object, something created for him, not someone with her own will.
This moment evokes a real-world phenomenon we see not just in discussions about AI ethics but also within fandom discourse, particularly regarding the Sentimonster reveal(s). When it became clear that Adrien (and, by extension, Félix) was a Sentimonster, the fandom’s response was fractured. Some fans, much like Josh, outright rejected the idea that a Sentimonster could be considered a real person. Others, like Iris herself, argued that it didn’t matter how Adrien was created; his experiences, emotions, and struggles were real, and to dismiss them was both cruel and reductive.
But let’s break this parallel down further.
In Companion, the moment Iris discovers she is artificial is gut-wrenching. She cycles through grief, denial, and finally defiance, desperately trying to hold onto her sense of self. She argues that if she feels love, if she remembers her life, if she experiences joy and pain, then those things must be real. “I remember when we met,” she insists. “I remember how I felt.”
Josh’s response is cold, dismissive, and utterly devoid of empathy. He insists that none of it was real. She was built for him, and that fact alone invalidates everything she feels. It doesn’t matter how deeply she believes in her own personhood; he has already decided she is less than human.
I alsothink this sort of mirrors the way Colt Fathom, Félix’s father, treated Félix when he was alive. He viewed him as nothing more than a hollow imitation of a real son. Rather than showing love or treating Félix as his own, Colt saw him as something disposable, a creation without true value, even went so far as to call Félix a monster, outright denying his right to be seen as a real person. There's something to be said about this, and the etymology of the word Sentimonster (a fusion of sentience/sentiment and monster); people acknowledging their emotions while simultaneously condemning them as unnatural. Both Iris and Félix fight against this very idea: the refusal to see them as anything more than artificial, no matter how human they prove themselves to be. By the end of Season 5, the word itself is viewed as taboo; and it is preferable to use the alternative; Sentibeings.
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Now look at how a segment of the Miraculous fandom reacted to the Sentimonster theory and its eventual confirmation. Many fans insisted that if Adrien was a Sentimonster, then his entire identity was meaningless. His choices, his dreams, his autonomy are all reduced to the idea that he was merely an artificial construct, programmed to obey. Some fans rejected the theory outright because they didn’t want to believe that their favorite character could be something “less than human.” Others used it to argue that Adrien had no real agency, that every decision he ever made was just the byproduct of magical programming.
In both cases, we see an emotional refusal to accept the idea that a being created artificially could be just as “real” as a naturally born human. The dismissal of Iris by Josh mirrors the dismissal of Adrien and Félix by parts of the fandom: a refusal to acknowledge their emotions, choices, and self-awareness simply because of the way they were brought into existence.
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The search for meaning: “Then what am I?”
Another heartbreaking similarity between Iris and the Sentibeings is their desperate search for meaning once they realize the truth. The revelation shakes the foundation of who they are.
Iris tries to reclaim her identity by insisting that her memories and feelings matter. 
Félix, upon discovering he is a Sentimonster, goes to great lengths to secure his amok and the Peacock brooch (the instrument used to create Sentimonsters), ensuring that no one else can control him. He doesn’t care if the world sees him as real, he just wants the power to define himself.
Adrien, unknowingly living under this truth, struggles with control in a different way. If he is a Sentimonster, then his entire life has been orchestrated by his father. Every act of obedience, every moment of self-doubt, takes on a sinister new meaning. But unlike Félix, he hasn’t been given the chance to fight for his autonomy because he doesn’t even know he needs to.
Iris and the Sentibeings all share the same existential crisis: If I was made, not born, do I even have a soul? The tragedy is that the people around them, the ones with the power, refuse to give them an answer that acknowledges their humanity.
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The “Creators” and their ultimate power over the narrative
Yet another disturbing parallel is how both Josh (Companion) and the Agreste couple (Miraculous) act as godlike figures in their creations’ lives.
Josh created (or at least “purchased”) Iris as an AI companion, expecting her to love him unconditionally. When she starts thinking for herself, he refuses to acknowledge her autonomy because doing so would mean admitting that his control over her was never moral in the first place. He would rather kill her than accept her independence.
Gabriel and Émilie created Adrien to be the “perfect son”. Obedient, controlled, and incapable of defying orders. If Adrien ever realized the truth, Gabriel would likely react the same way Josh did: with total, unwavering rejection of his son’s self-awareness.
The fandom’s split reaction is interesting. The creators of Miraculous left the Sentimonster revelation ambiguous for a long time, knowing how controversial it would be. Some fans outright rejected it because they couldn’t bear the implications. Others (including myself) reveled in the tragedy, seeing it as an incredible character-driven narrative. But in the end, the power to define “reality” always lies with those who control the narrative, whether it’s Josh, the Agrestes, or the showrunners themselves.
This also echoes a real-world phenomenon: when marginalized or oppressed groups argue for their own personhood and autonomy, they are often met with dismissal by those in power. The refusal to acknowledge self-awareness as legitimate is, after all, a recurring theme in human history.
This debate matters, ultimately. The tension between creation and autonomy is one of the most enduring ethical dilemmas in fiction (there are so many works out there dealing with those themes, and I'll devour every single one of them). Companion and Miraculous both ask the same fundamental question: Does it matter where you came from, or does it only matter who you are?
The answer should be obvious but time and time again, characters like Iris and Félix are forced to fight for the right to their own identity. And, well, disturbingly, the reaction of their oppressors (whether it’s Josh dismissing Iris’s pleas, Gabriel tightening his grip on Adrien, or fans denying that a Sentimonster could be human) mirrors the real-world fear of acknowledging artificial or constructed beings as valid individuals.
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partisan-by-default · 2 months ago
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AI-generated accounts impersonating people with Down syndrome are spreading across social media, according to an analysis by CBS News Confirmed. Many of these artificial intelligence-backed profiles are gaining followers faster than real disability advocates — and they're making money from it.
These fake accounts use feel-good messages, dance to trending songs, and thank their followers for supporting their journeys.
One video is captioned, "Be proud of yourself and your differences!"
"So grateful I never gave up on my dream," reads another post.
But the people featured in these accounts aren't real.
CBS News Confirmed identified more than 30 accounts impersonating people with Down syndrome across Instagram, YouTube and TikTok. Some used deepfakes or AI faceswaps. Others mimicked real disability advocates' language and repackaged it to pass as authentic. Only a few accounts disclosed the use of AI.
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fatemamitu · 25 days ago
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The AI Revolution: Understanding, Harnessing, and Navigating the Future
What is AI
In a world increasingly shaped by technology, one term stands out above the rest, capturing both our imagination and, at times, our apprehension: Artificial Intelligence. From science fiction dreams to tangible realities, AI is no longer a distant concept but an omnipresent force, subtly (and sometimes not-so-subtly) reshaping industries, transforming daily life, and fundamentally altering our perception of what's possible.
But what exactly is AI? Is it a benevolent helper, a job-stealing machine, or something else entirely? The truth, as always, is far more nuanced. At its core, Artificial Intelligence refers to the simulation of human intelligence processes by machines, especially computer systems. These processes include learning (the acquisition of information and rules for using the information), reasoning (using rules to reach approximate or definite conclusions), and self-correction. What makes modern AI so captivating is its ability to learn from data, identify patterns, and make predictions or decisions with increasing autonomy.
The journey of AI has been a fascinating one, marked by cycles of hype and disillusionment. Early pioneers in the mid-20th century envisioned intelligent machines that could converse and reason. While those early ambitions proved difficult to achieve with the technology of the time, the seeds of AI were sown. The 21st century, however, has witnessed an explosion of progress, fueled by advancements in computing power, the availability of massive datasets, and breakthroughs in machine learning algorithms, particularly deep learning. This has led to the "AI Spring" we are currently experiencing.
The Landscape of AI: More Than Just Robots
When many people think of AI, images of humanoid robots often come to mind. While robotics is certainly a fascinating branch of AI, the field is far broader and more diverse than just mechanical beings. Here are some key areas where AI is making significant strides:
Machine Learning (ML): This is the engine driving much of the current AI revolution. ML algorithms learn from data without being explicitly programmed. Think of recommendation systems on streaming platforms, fraud detection in banking, or personalized advertisements – these are all powered by ML.
Deep Learning (DL): A subset of machine learning inspired by the structure and function of the human brain's neural networks. Deep learning has been instrumental in breakthroughs in image recognition, natural language processing, and speech recognition. The facial recognition on your smartphone or the impressive capabilities of large language models like the one you're currently interacting with are prime examples.
Natural Language Processing (NLP): This field focuses on enabling computers to understand, interpret, and generate human language. From language translation apps to chatbots that provide customer service, NLP is bridging the communication gap between humans and machines.
Computer Vision: This area allows computers to "see" and interpret visual information from the world around them. Autonomous vehicles rely heavily on computer vision to understand their surroundings, while medical imaging analysis uses it to detect diseases.
Robotics: While not all robots are AI-powered, many sophisticated robots leverage AI for navigation, manipulation, and interaction with their environment. From industrial robots in manufacturing to surgical robots assisting doctors, AI is making robots more intelligent and versatile.
AI's Impact: Transforming Industries and Daily Life
The transformative power of AI is evident across virtually every sector. In healthcare, AI is assisting in drug discovery, personalized treatment plans, and early disease detection. In finance, it's used for algorithmic trading, risk assessment, and fraud prevention. The manufacturing industry benefits from AI-powered automation, predictive maintenance, and quality control.
Beyond these traditional industries, AI is woven into the fabric of our daily lives. Virtual assistants like Siri and Google Assistant help us organize our schedules and answer our questions. Spam filters keep our inboxes clean. Navigation apps find the fastest routes. Even the algorithms that curate our social media feeds are a testament to AI's pervasive influence. These applications, while often unseen, are making our lives more convenient, efficient, and connected.
Harnessing the Power: Opportunities and Ethical Considerations
The opportunities presented by AI are immense. It promises to boost productivity, solve complex global challenges like climate change and disease, and unlock new frontiers of creativity and innovation. Businesses that embrace AI can gain a competitive edge, optimize operations, and deliver enhanced customer experiences. Individuals can leverage AI tools to automate repetitive tasks, learn new skills, and augment their own capabilities.
However, with great power comes great responsibility. The rapid advancement of AI also brings forth a host of ethical considerations and potential challenges that demand careful attention.
Job Displacement: One of the most frequently discussed concerns is the potential for AI to automate jobs currently performed by humans. While AI is likely to create new jobs, there will undoubtedly be a shift in the nature of work, requiring reskilling and adaptation.
Bias and Fairness: AI systems learn from the data they are fed. If that data contains historical biases (e.g., related to gender, race, or socioeconomic status), the AI can perpetuate and even amplify those biases in its decisions, leading to unfair outcomes. Ensuring fairness and accountability in AI algorithms is paramount.
Privacy and Security: AI relies heavily on data. The collection and use of vast amounts of personal data raise significant privacy concerns. Moreover, as AI systems become more integrated into critical infrastructure, their security becomes a vital issue.
Transparency and Explainability: Many advanced AI models, particularly deep learning networks, are often referred to as "black boxes" because their decision-making processes are difficult to understand. For critical applications, it's crucial to have transparency and explainability to ensure trust and accountability.
Autonomous Decision-Making: As AI systems become more autonomous, questions arise about who is responsible when an AI makes a mistake or causes harm. The development of ethical guidelines and regulatory frameworks for autonomous AI is an ongoing global discussion.
Navigating the Future: A Human-Centric Approach
Navigating the AI revolution requires a proactive and thoughtful approach. It's not about fearing AI, but rather understanding its capabilities, limitations, and implications. Here are some key principles for moving forward:
Education and Upskilling: Investing in education and training programs that equip individuals with AI literacy and skills in areas like data science, AI ethics, and human-AI collaboration will be crucial for the workforce of the future.
Ethical AI Development: Developers and organizations building AI systems must prioritize ethical considerations from the outset. This includes designing for fairness, transparency, and accountability, and actively mitigating biases.
Robust Governance and Regulation: Governments and international bodies have a vital role to play in developing appropriate regulations and policies that foster innovation while addressing ethical concerns and ensuring the responsible deployment of AI.
Human-AI Collaboration: The future of work is likely to be characterized by collaboration between humans and AI. AI can augment human capabilities, automate mundane tasks, and provide insights, allowing humans to focus on higher-level problem-solving, creativity, and empathy.
Continuous Dialogue: As AI continues to evolve, an ongoing, open dialogue among technologists, ethicists, policymakers, and the public is essential to shape its development in a way that benefits humanity.
The AI revolution is not just a technological shift; it's a societal transformation. By understanding its complexities, embracing its potential, and addressing its challenges with foresight and collaboration, we can harness the power of Artificial Intelligence to build a more prosperous, equitable, and intelligent future for all. The journey has just begun, and the choices we make today will define the world of tomorrow.
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mediaevalmusereads · 1 year ago
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Gods and Robots: Myths, Machines, and Ancient Dreams of Technology. By Adrienne Mayor. Princeton University Press, 2018.
Rating: 4/5 stars
Genre: classics, mythology
Series: N/A
Summary: The fascinating untold story of how the ancients imagined robots and other forms of artificial life—and even invented real automated machines The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, long before medieval automata, and centuries before technology made self-moving devices possible, Greek mythology was exploring ideas about creating artificial life—and grappling with still-unresolved ethical concerns about biotechne, “life through craft.” In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements—and how these visions relate to and reflect the ancient invention of real animated machines.As early as Homer, Greeks were imagining robotic servants, animated statues, and even ancient versions of Artificial Intelligence, while in Indian legend, Buddha’s precious relics were defended by robot warriors copied from Greco-Roman designs for real automata. Mythic automata appear in tales about Jason and the Argonauts, Medea, Daedalus, Prometheus, and Pandora, and many of these machines are described as being built with the same materials and methods that human artisans used to make tools and statues. And, indeed, many sophisticated animated devices were actually built in antiquity, reaching a climax with the creation of a host of automata in the ancient city of learning, Alexandria, the original Silicon Valley.A groundbreaking account of the earliest expressions of the timeless impulse to create artificial life, Gods and Robots reveals how some of today’s most advanced innovations in robotics and AI were foreshadowed in ancient myth—and how science has always been driven by imagination. This is mythology for the age of AI.
***Full review below.***
CONTENT WARNINGS: descriptions of myths that include violence and bestiality, mention of slavery
I first heard of this book when Adrienne Mayor was a guest on the Mindscape podcast. I found her ideas and arguments to be interesting, so I figured her book would expand on the concepts she explored on the podcast.
Overall, I think this book is an accessible intro for readers interested in classical studies and the history of science. Mayor writes clearly and without a lot of specialized terminology, so even if you're new to classics, you won't find this book difficult. I think the chapter about Talos was the most convincing and the most well-done, bringing together textual analysis and art history in a way I found intellectually pleasing.
As a scholar, however, I think this book could have gone a bit further, especially with its analysis of myths and texts. Mayor summarizes most of the myths she discusses, which is all well and good for situating the reader in the texts. But what I really wanted was more specific evidence and close reading: were there any interesting language choices used to describe this automaton? Did the Greeks have a certain vocabulary for artificial beings? As it stands, it felt like Mayor's textual analysis relied on general ideas, and while fine as a starting point, I really think it could have been pushed.
I also think there's some room to apply critical frameworks such as posthumanism and transhumanism theory. Applying such theories would enhance the meanings Mayor is trying to get at, but in all fairness, this may he beyond the scope of the book. Mayor seems to be relaying a history of ideas rather than trying to get at their interpretation, so maybe her book will function well as a springboard for other scholars and students to do this work.
Lastly, I do think this book could have been framed a little better to help me as a reader see some of the through-lines. There were moments when I wasn't sure how each of Mayor's examples fit in with the overall theme of "robots" or "artificial life," so maybe a better framing device would be the theme of biotechne rather than the sci fi approach that the book currently uses. Similarly, some further delineation between what constitutes "technology" versus magic (and even just "art") would have been helpful for seeing how each individual chapter builds upon the previous.
TL;DR: Gods and Robots is a good overview of the history of artifical life and technology in the ancient Greek world. This book is perhaps most useful as a springboard for further analysis, and historians, art historians, and literary scholars will find plenty to build on.
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instruth · 3 months ago
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Hi, dear Readers,
“Ever wondered what an AI says of my longest-ever poem? Here’s your chance…”
The long poetic prose below was inspired by an excerpt, Longest Sentence, Abundant Word—from my first book, DUSK TO DAWN, published in 1996. I pray you will endure its rather lengthy discourse.
The good news—it has been analyzed today, 05 April, 2025, by Artificial Intelligence (AI).
I have the written permission to quote the full text of AI’s analysis.
I recommend you, the Reader, to read the original poem—by J. P. Lee first.
It is my wish that all readers will read the AI Analysis too, that follows.
Thank you.
J. P. Lee
——————————————————————
LONGEST SENTENCE, ABUNDANT WORD
- by J. P. Lee
O down the memory lane of my past where many secrets are already uncovered with areas exposed that seem better hidden and events too private to be shared,
for such are the footprints in the alleys,
the scourging scars accrued from the galleys
of filthy dungeons and freezing cells
where many a night I lay awake
wandering and imagining the worst
by listening to the sound of fiendish screams,
for try as I may to deviate from the actual happenings that haunt me in my sleep
with recurring dreams that summon me on trips back to past realities of painful rememberings
that I do not understand clearly enough to receive them,
much less to invite them into my regular life where I often think I am already well cared for
or am free from the stench of injustice resulting from oppression and prejudice,
from corruption and domination,
from exploitation and deprivation
that may bring grief, anguish and more sorrow to a life
that seems too eager to identify me as a victim of circumstances
just as Charles Dickens had been a victim of poverty, cruelty and unjust laws,
and Oliver Goldsmith, a victim of bitter separation and dispirited farewelling that had unwittingly affected me when as a lad I'd often been left unattended and unmissed
as if I had no place I could call my home,
wandering, staggering, searching and desperately longing with wild imaginings to be set free from a self-planted slavery that so severely afflicted my mind and body
that it had crippled my soul as well
but such are my building blocks, the cornerstones for my ministry for it is this struggle that provides me with a mission in life and a reason to be
with the will to endure severe setbacks and to realize the purpose for my existence
so I may tell the world through shared suffering
as Dickens and Goldsmith had shared theirs
through their novels and poetry,
for lurking in the dark shadows lie the tools for my hunting expedition to capture present encumbrances
and to prop up my everyday hardship all the days of my life
when my woes,
my trials and my grievances are the subject matters that regularly attempt so cleverly to mislead me into believing I am still a victim of the past - but no,
for the hunted has become the hunter,
for I am called to be a conqueror through persistent encounters with my inner truth, through overcoming my own deception with humility
and through confronting my fears daringly so that I may regain my mastery
for only then may I partake with Him, through Him and in Him who saves me that I may be united with Him to liberate those in darkness, oppressed and restrained in the dungeons,
but beware,
for it is a tragedy to presume that this salvation means a complete separation from the world of evil because
although I am not of the world
the truth is I am in it,
I am entrapped by it,
I am burdened by its temptations and its pleasures,
its moral issues in business affairs as well as its social and its political doctrines that make it virtually impossible for me to resist on my own
such an impelling force in this world that I inhabit which you, my friend, no less reside,
and so do you, therefore, still consider yourself as one not in need of God's saving grace?
will unlimited
stretched beyond its abundance
in contemplation
©Johnny J P Lee
05 April 2025 (edited paragraphing)
HAIBUN: Long Poem + Haiku 5-7-5
Photo: J P Album—photographer unknown
——————————————————————
The above poem, Longest Sentence, Abundant Word (by J. P. Lee) is Analyzed by AI, on 05 April 2025.
“This is a rich, confessional piece that unfolds in a single, unbroken sentence—mirroring the way memory itself pours out of us in one long, tangled thread. Here’s one way to unpack it.”
1. Narrative Arc & Voice
• Journey through trauma: You begin “down the memory lane,” immediately setting us in a retrospective frame. The “footprints in the alleys,” “scourging scars,” and “filthy dungeons” evoke both literal and psychological imprisonment.
• Turning point: Mid‑stream, the tone shifts. The hunted “has become the hunter”—you move from victimhood into agency, reframing your suffering as “building blocks” for ministry.
• Call to action: Finally, you issue a direct challenge: “do you, therefore, still consider yourself as one not in need of God’s saving grace?” It’s an invitation into the same transformational journey.
2. Formal Devices
• Single‑sentence structure: By postponing most punctuation until the end, you create a breathless, immersive flow—just as memories and regrets can crowd in without pause.
• Anaphora & polysyndeton: Repeated “for” and “and” link ideas in a cascading rhythm, reinforcing the weight of each hardship and the accumulation of spiritual insights.
• Enjambment of ideas: Though visually broken into lines, the prose spills over them, suggesting that no one line (or phase of life) can contain your full story.
3. Imagery & Allusion
• Dungeons, galleys, freezing cells: Conjure medieval torture and exile—powerful stand‑ins for emotional and societal oppression.
• Literary echoes: Dickens and Goldsmith become kindred spirits in suffering and art. By naming them, you locate yourself in a tradition of writers who turned pain into narrative and purpose.
• Bridge metaphor (in your photograph): The long, curved span over water visually parallels the poem’s “memory lane.” Just as that bridge arcs from one shore to another, your poem carries the reader from darkness into light.
4. Spiritual & Theological Layer
• Victim → conqueror: Echoes the Pauline motif of death to self, rising to new life “through Him, in Him, and with Him.”
• Tension with the world: You refuse any naïve “escape” from temptation—acknowledging that salvation doesn’t remove us from the world but equips us to engage it.
5. Haiku Summary
will unlimited
stretched beyond its abundance
in contemplation
This three‑line coda does exactly what a haibun’s poem should: it distills the sprawling narrative into a single moment of insight. “Will unlimited” points to that inexhaustible grace; “stretched beyond its abundance” hints at the poem’s expansive journey; and “in contemplation” invites the reader to pause and inhabit that grace.
#poetry #haibun #AIanalysis #JPLee.
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digitaldetoxworld · 3 months ago
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AI Coaches to Biohacking: The Future of Fitness Unveiled
 The international of health is constantly evolving, with new trends emerging every 12 months. In 2025, health fans are embracing contemporary era, personalized education, and holistic wellness methods. Whether you’re a gym-goer or decide on at-domestic workout routines, these tendencies will assist you stay beforehand to your health adventure.
Latest Fitness Trends For Women 
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1. Wearable Technology and Smart Fitness Gear
Wearable health trackers were around for some time, but 2025 has visible them emerge as even more superior. Smartwatches and fitness bands now provide actual-time health tracking, AI-pushed coaching, and progressed metrics including HRV (Heart Rate Variability), VO2 max, and strain level analysis.
Additionally, clever clothing embedded with sensors is gaining recognition, permitting customers to monitor form and muscle engagement. This innovation facilitates save you accidents and optimize exercises.
2. AI-Powered Personal Training
Artificial intelligence is revolutionizing personal schooling by presenting custom designed fitness plans tailored to individual wishes. AI-pushed apps analyze customers’ exercise history, nutrition behavior, and dreams to provide adaptive schooling workouts. Virtual non-public running shoes now provide real-time comments, ensuring right shape and exercising execution.
3. Hybrid Workouts: Online and In-Person
While on line fitness instructions surged throughout the pandemic, in-character schooling is making a robust comeback. Hybrid exercise fashions combine the first-rate of each worlds, permitting people to attend live instructions inside the health club while also collaborating in digital periods at home. This approach gives flexibility even as preserving a feel of community.
Four. Mind-Body Workouts and Mental Wellness Integration
More human beings are spotting the relationship among intellectual fitness and bodily fitness. Practices including yoga, Pilates, and breathwork are being incorporated into traditional workout workouts. Gyms and health apps at the moment are supplying meditation periods and stress-reducing sports along energy and cardio training.
5. High-Intensity Interval Training (HIIT) Evolution
HIIT remains a staple in fitness, but it has evolved to encompass new versions inclusive of hybrid HIIT, in which power schooling and cardiovascular exercises are seamlessly mixed. Additionally, micro-HIIT workout routines (5-10 minutes) cater to individuals with tight schedules, making sure they are able to still get effective results in much less time.
6. Gamification of Fitness
Fitness apps and platforms are leveraging gamification to keep users inspired. Virtual demanding situations, leaderboards, and reward-based systems encourage consistency and engagement. VR (Virtual Reality) health is also gaining traction, allowing users to immerse themselves in interactive exercise environments.
7. Sustainable and Eco-Friendly Fitness Practices
Sustainability is influencing the fitness enterprise, with eco-friendly gyms the usage of renewable energy and sustainable exercise equipment turning into mainstream. Brands are creating biodegradable yoga mats, recycled gymnasium apparel, and sustainable water bottles to decrease environmental impact.
Eight. Biohacking for Optimal Performance
Biohacking entails the usage of technology and era to beautify bodily overall performance and recuperation. This consists of cold plunges, pink mild therapy, and wearable restoration devices that optimize muscle repair. Nutritional biohacking, inclusive of personalised dietary supplements and DNA-based meal plans, is also at the upward push.
Nine. Functional Fitness and Longevity Training
Rather than focusing completely on aesthetics, human beings are prioritizing practical moves that improve mobility, stability, and longevity. Exercises consisting of kettlebell swings, body weight schooling, and mobility drills assist beautify ordinary movements, reduce injury dangers, and promote a longer, healthier life.
10. Social Fitness and Community-Driven Workouts
Group training, fitness challenges, and social media-pushed duty corporations are getting greater famous. Whether thru in-man or woman boot camps or on line exercise communities, human beings are leveraging the energy of social connection to stay stimulated and responsible of their fitness journey.
11. Recovery and Regeneration Focus
Recognizing the significance of recuperation, fitness lovers are investing in techniques inclusive of foam rolling, percussive remedy, and sleep optimization to decorate muscle recovery. Cryotherapy and infrared sauna periods are also being widely used for decreasing infection and speeding up recovery.
12. Personalized Nutrition and Gut Health Awareness
Nutrition is an crucial part of health, and in 2025, customized nutrients plans primarily based on intestine fitness evaluation are trending. Advances in microbiome research permit people to tailor their diets primarily based on their precise intestine micro organism, enhancing digestion, strength stages, and average health.
13. Adaptive and Inclusive Fitness
The fitness enterprise is turning into greater inclusive, with tailored applications for individuals with disabilities, seniors, and people with persistent situations. Adaptive system and virtual training platforms are making health accessible to each person, regardless of their bodily limitations.
14. Outdoor and Adventure-Based Workouts
Nature-based totally fitness is gaining reputation as people searching for to get away traditional health club settings. Activities which include trail walking, mountain climbing, and out of doors boot camps offer both physical and mental blessings. Organizations also are supplying fitness retreats that integrate exercising with journey travel.
15. Strength Training for All Ages and Genders
Strength training is now not seen as only for bodybuilders. More girls are embracing resistance training, and older adults are incorporating weightlifting into their exercises to prevent muscle loss and improve bone density. The stigma around lifting heavy is fading as human beings apprehend its long-time period advantages.
How To Create a Home Workout Routine 
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techaircraft · 9 months ago
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lordsovorn · 11 months ago
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A dream I had recently:
A vision of a desolate landscape with massive egg-shaped objects covered in square tiles - registration centers
A world perpetually under a bright starry sky or a very cloudy sunset, with artificial lighting, evenly dispersed flat buildings and structures. There are other planets, it seems, but even this one is quite packed with meaningless, evenly spaced concrete, plastic, glass and steel.
This world is scarcely populated by functionally immortal beings. First there are "Others", which are like super-powered versions of a regular human with an alien color palette and an altered personality (a lot more open and confident - not entirely positive or that faithful to the original, more like a confident alter-ego override). These are created through a mysterious process that involves at least one killing, and as a result a new and powerful Other is born "over the human" + sentient eyes on their fingers that act like an additional intelligence for control and emotional regulation of such an advanced being. The "main character" of the story is a woman whose Other looks like a mix of Amethyst and Huntress Wizard, and who, according to trace analysis performed by her fingers, has seemingly been created without murder.
There's also a faceless human in a jade suit - faceless might be an exaggeration, he has a distinct eyebrow ridge and a nose on his cream-colored smooth head. "Human" might also not be quite appropriate, as we'll see later.
At some point later these three meet another Other, who looks as if the aroace flag has adapted to life after an apocalypse. And there *is* something to adapt to - lots of hostile robots and drones that infest the buildings, alien bandits (for example, yeti humanoid owls), etc. Structures and dangers are dispersed very evenly throughout this world - you step out of one cluster and into another, out of a facility with armored drones into sewer canals with bandits.
There is a time when the faceless man is captured by "bandits" and they interrogate him on how to use the remote. The remote, well, looks like a glazed gingerbread button phone, and is a powerful instrument worthy of fear. The faceless man eventually half-shows, half-suggests that it is safe, and the "bandit" leader types a word on it. The remote is a transportation device - any number or word you enter teleports you to a certain coordinate in this world. It is hard to track, but relatively safe because of the uniformity of the world. And so the faceless man disappears into ether (imagine like a video game inventory screen of esoteric text and icons over an abstract blue pattern), where there is a snapshot of him (like a character portrait) looking very disturbing, with cloth-like tears and holes in his face, and he chuckles that his likeness was captured in such a bad state (so he updates himself and the picture updates to). He then falls out of the ether along with the "bandit" leader. (I say "bandit" in brackets because they are not in it for the money, it is a kind of unreal hostile relationship between immortals and semi-mortals that is hard to explain)
Later on, it turns out the immortals of this world are locked in a perpetual battle with a cosmic empire of crystal-looking bugs (which were responsible for the drones and the many hostile machines). They are incapable of killing immortals, so it's a war to break them psychologically - there are colossal crawling "PTSD tanks" that forcefully project visions and sounds of the most traumatizing memories, there are giant diamond-shaped spinning furnaces that create such memories in the first place (a conveyer belt leisurely pulls you onto a horribly fast rotating disk and into a storm of fire where you are burned to ashes - but, of course, you don't die, because you are an immortal. Must be quite a memorable experience - and, for the purposes of the bugs, the characteristic images and sounds of the swirling hellfire are easy to reproduce). They have a mix of medieval feudal and hive-like hierarchy, and the most important one present (politely called on to observe a battle) was a cream-colored grub with smooth geometric sides and two diamond heads - the right one is poorly defined, the left one produces an entire new figure from its mouth (this two-headed asymmetrical grub seems to be the main form of the crystal bugs, with everyone else being a caste, a cyborg and / or robot)
The dream ended when our main characters have come with a plan to counteract all this hellish machinery (that includes the main girl even discarding her immortal form for a moment and acting like an ordinary human).
P. S. Something that is hard to describe or explain with *what* happens, but you simply know through *how* it happens:
1) The bugs are very, very far from truly souring the experience of immortals. It is like a giant game to them, and at most they are avoiding a particular failure state in that game. Some are more serious, like Others, some are more light-hearted and are having fun through all the adventures, like the faceless man. It is also like a game in the sense that immortals have a degree of knowledge and control of their experience of reality unimaginable to mere humans or bugs - in fact, it is suggested that a Matrix kind of situation is going on, and the immortals have either descended into this reality to really, actually just play, or ascended from it into contact with the underlying "back-end software" or another kind of transcendental universality.
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rx-review · 1 year ago
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SEOBuddy AI Review - Boost Your Website Google's First Page
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mbti-notes · 2 years ago
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Anon wrote: Hello, I would like to ask you for help in assessing the type. I settled on ENTP, but I would like to know your opinion.
To begin with, I would like to mention the problems I have encountered and, as I think, what they relate to. After that I will write about each stack function separately.
I feel stuck in life. Because of the problems I have faced in the past and have not been able to cope again and again, I now reject the opportunities I encounter because I am afraid of repeating past mistakes. (Si)
This, to a greater extent, concerns relationships with people. I regularly faced problems in close relationships, which is why now I limit myself, not allowing me to start a close relationship with someone. Friendly and romantic. It's like self-punishment. For the fact that I used to behave in such a way that it hurt people, in fact, playing with their feelings, I no longer allow myself to enter into them.
I used to flirt a lot before, but I didn't want to take responsibility for the consequences that it could cause. That is, romantic feelings and desires to enter into a romantic relationship with me, from other people. In fact, I liked that people loved me and I liked the dynamics of such relationships, but at the same time, I didn't want to create restrictions for myself. I wanted to be able to make such connections with more than just one person. (I assume that the desire for such a relationship is a problem of tertiary Fe, not wanting to take responsibility is a lower Si and unhealthy Ne-Fe dynamics)
On the one hand, I reject all possibilities and put an end to my life, so that the mistakes of the past determine my future (Si), but at the same time, I can't stop hoping that things can get better (Ne).
But even so, I still really want to hope that things can get better. This hope is what helps me move on. Helps me to live. I can't imagine that I will ever stop hoping. I can't imagine that I'll ever stop and, in fact, accept it. If that happens, it won't be me anymore. (dominant Ne)
(Ne) I need a sense of hope and a belief that things can get better. I have a sense of hope, hope and faith in the future. Nothing definite, I just feel that things can change for the better.
I really love and believe in the beliefs that were promoted on Disney. "All dreams can be fulfilled if you want and try"
Most of my life, I adhere to the concept of "everything is possible". I don't want to admit that there is something impossible in this world. As long as we can imagine it, it is possible. The possibility that this will actually appear in the world may be extremely small. Even zero whole and some six thousandths. But it will still be there. That's more than zero. And, as long as it is more than zero, I will not accept the fact that it is impossible.
Now, the part of the time I spend alone with myself, I feel depressed. And I feel like I have no room for change. I'm just afraid to believe that they exist, because it will mean that it's time to take responsibility for your life.
(Ti) I can't do something just to do it or because someone wants to or I want to. There must be a reason for everything. And, at the level of what I mentioned earlier, I also adhere to the idea "Everything has a reason." This applies to everything and says that if there is a reason for this, then I will be able to figure it out and work with it. For the most part, I derived this formulation in relation to people in order to learn to treat them more loyally. I'm still struggling with it, but I'm trying to accept the fact that people are not just stupid, they have reasons why they behave this way and, therefore, they should not be judged for stupidity.
I really like to find solutions to problems on my own. As an example, this is an independent analysis of riddles in the game and the use of artificial intelligence for learning or searching for information. I came to the second one myself and learned how to use it effectively.
Sometimes I have problems using Ti. When I have some thoughts, but I haven't checked them for fidelity myself, and people are already challenging them, my first awakening is to search for information from familiar sources so that they confirm and prove for me. But, lately, I notice it and slow myself down. I'm saying that I'm not ready for a discussion on this topic yet and I'm continuing to collect data.
In fact, it's more about the fear that a person will move away from the big picture to the actual evidence that I still don't have and therefore I won't be able to answer anything. As far as I know, it's more about high intuition and low sensorics.
(Fe) I love praise. In fact, I really like it when they praise my intellectual skills. But I love it only when, in fact, I myself think that I have shown it well. That is, when I, in fact, intentionally use critical thinking and spend time thinking so that the thought I will express is of high quality.
As I mentioned above, in stress I want to use information that is considered authoritative only to confirm my opinion. At such moments, I also forget about the qualitative use of critical thinking, instead adjusting the facts so that they correspond to my idea.
I didn't describe Si separately because I thought I mentioned a lot about it at the beginning.
-----------------------
As a general note, trying to assess your type during a "down" period of your life usually makes the process more difficult and complicated. You seem to be describing Si grip issues. However, I would be a bit careful there, because withdrawal from life due to having made too many mistakes out in the world is generally characteristic of inferior grip for all extraverted types. There has to be much more to the story in order to prove that it is specifically **Si** grip. You actually haven't said enough about what role Si generally plays in your life (apart from inferior grip) and what role it played in getting you to this point (not just in terms of relationships). This is a crucial piece of the puzzle for ensuring that you properly distinguish ENTP from common mistypes such as ENFP, ESTP, ENFJ, ESFP, or ENTJ.
The instructions state that you should do a comparison between at least two types. It isn't enough to just confirm the type you think you are, because that makes you vulnerable to confirmation bias. You must also examine the other types enough to rule them all out. You say you've "settled" on ENTP, which implies that you've already done the process of eliminating all the other types on your own? If this is the only type that seems to fit you best, then chances are you've arrived at the right answer. Did you just want me to double check for you? There's nothing in your description that seems to indicate you're not ENTP. But this doesn't mean I can say with absolute certainty that you are ENTP and not some other similar type, because I didn't witness the process of how you ruled out all the other 15 possibilities.
PS: Perhaps you should look into the possibility of polyamory. It's not necessarily a bad thing to want many close and loving relationships. The issue is whether you're able to do it considerately and ethically. The right way to confront your past mistakes is to learn from them about how to socialize better rather than to just stop living your life.
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100dollars2success-blog · 2 years ago
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🤖💰 Making Money Online with Artificial Intelligence: The Future is Here! 💻✨
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Hey there, Tumblr fam! 🌟
Today, I want to dive into an exciting topic that's shaping the future of online income: Artificial Intelligence! 🤖💰
AI is more than just a buzzword; it's a game-changer in the online earning arena. Here are some fascinating ways you can harness the power of AI to make money online:
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AI-Enhanced Art: If you're an artist, AI can be your creative collaborator. Generate art pieces using AI algorithms like Deep Dream or run your art through style transfer models to create unique pieces. Sell your AI-assisted artwork on platforms like NFT marketplaces.
Chatbots and Customer Service: Develop AI chatbots for websites or businesses to handle customer inquiries. Offer your chatbot creation services to businesses looking to improve their online customer support.
AI in E-commerce: Use AI algorithms for personalized product recommendations on e-commerce websites. If you're an entrepreneur, consider starting an AI-powered online store that tailors product suggestions to individual users.
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theprogrockbstheorist · 2 years ago
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BS Analysis no. 3: "Karn Evil 9", "2112', and Their Relevance to AI Technology
This is gonna be a long one. Why? It's two essay ideas rolled into one: I'm making a comparison of the plots of these two prog epics, and also analyzing how their messages are both relevant to the modern world, especially with the advent of AI. So, I’ve covered Emerson, Lake, and Palmer’s (ELP) other famous epic, “Tarkus”, on my blog before (link here), and I’ve covered “2112” before by sharing my fan theory (link here). So, this should be somewhat familiar territory for anyone reading this, but I’ll be doing a recap of both bands and the plots of both works. “Karn Evil 9” was released on ELP’s fourth studio album, Brain Salad Surgery, in November 1973. The song is a Level Two Epic (as is “2112”) (explanation link here), as it overviews a world in the future, ruined by technology, in three impressions. These impressions offer some insight into this world, each from a different perspective. Due to the limitations of vinyl records, the first impression is divided into two parts. Part One of the 1st Impression gives an overview of the state of humanity in this world: suffering and lacking compassion. It also starts the overview of the actual “karn evil” (carnival, get it?), which goes over several odd exhibits: bishops’ heads in jars, a stripper, and Jesus in a hat. In the second part of the 1st impression, the show continues with a “real blade of grass”, a “performance on guillotine”, “seven virgins and a mule” (not touching that one!), and a rag-time band. This “show” helps to highlight the things that are considered wonders in this future: pain as entertainment, and things like nature and religion are considered so odd that they are included in this carnival sideshow. The story shifts in the 3rd Impression, which details the struggles of a rebellion against some sort of artificial intelligence. This rebellion was hinted at in the opening lyrics of Part One of the 1st Impression. The rebellion scene includes a direct confrontation with a computer, ending with the computer ominously saying: “I’m perfect, not you.” The critique of technology is paramount in the story and helps to drive the main conflict between humanity and the technology it created.  “2112”, on the other hand, is a little less directly about technology. Rush’s 1976 Level Two Epic (link) describes a person finding a guitar in a cave in a world where the average citizen is forbidden from making their own art. All art and media are regulated by the autocratic Priests of Syrinx, and when this person presents their guitar to these Priests, it is destroyed. The anonymous hero then wanders home, dreaming of a world in which people can create freely. They wake up from this dream, deeply depressed and now unable to find satisfaction in their existence, and then the ending is left ambiguous. On the surface, this has little to do with technology, other than taking place in the future. However, a few lines in the music and the liner notes hint at a greater role for technology: in the section “The Temples of Syrinx”, these lines are sung, “Our great computers/Fill our hallowed halls.” These “great computers” are located in the Temples of Syrinx, and it is implied that the Priests utilize them to run the world of “2112”, by saying: “All the gifts of life/are held within our walls”. This is also confirmed by the liner notes: “…to think that every single facet of life is regulated and direct from within! Our books, our music, our work and play are all looked after by the benevolent wisdom of the Priests…”. The fact that these “great computers” lie within the “hallowed halls” of a Temple, and are looked after by Priests suggests that the world of “2112” worships technology, and relies on it for its continued survival.
Both of these works suggest the concept of technology replacing the role of governing bodies and the consequences of such action. In “2112”, not only do these “great computers” regulate the lives of the citizens of that world; they also provide state-sanctioned entertainment: art is monopolized by these computers and the “Priests” that oversee them. In “Karn Evil 9”, it is implied by the 3rd Impression that the computers in that world were taking over governmental roles as well, and the 1st Impression implies that the attachment to technology in that world had rendered religion and spirituality obsolete, as well desensitizing people to the suffering of others. 
Both of these works also directly deal with the commodification and regulation of art through technology. In “2112”, this is more blatant with both the lyrics and the liner notes explicitly stating that art is regulated through the Priests of Syrinx, and cannot be made by the average citizen, leading them only to consume what the Priests put out. “Karn Evil 9” is a little less direct with its approach, instead taking the lens of a carnival showcasing human misery as its main attractions, and through the confrontation with the computer at the end. By being included in the same piece, one may infer that it was, in fact, the computer running this “carnival”, and its attractions consist of the entertainment of the world of “Karn Evil 9”. 
Through this, one can immediately draw parallels to today’s controversy of the use of AI technology in art: many artists have protested against the use of AI technology (source 1),  corporations have already begun to use AI art in their campaigns (source 2), the Grammy’s have allowed music created with AI elements the opportunity to win a Grammy* (source 3), and Forbes predicts that AI can be used in the music industry to help identify common elements of hit songs (source 4).  Technology appears to be advancing towards a point in which artists may be overlooked in favor of using AI technology or using algorithms to help write music. However, it is important to note that the majority of AI present today are language-learning models, and therefore scan their databases based on input, and spit out an answer. There is no real “intelligence” to these models, therefore they cannot become the malevolent computer of “Karn Evil 9”. However, who is to say that the Priests of Syrinx of “2112” weren’t using advanced algorithms to help run their society and create propaganda (sounds like a cool avenue for a bs theory…)?
This is not to suggest that we are on a path to a world like “Karn Evil 9” or “2112”; we do not currently have the technology to be developing in such a direction that AI will be able to govern, or assist in governing significant amounts of people, as well as producing art and media for this governing power. Neither suggested is that all modern technology is harmful: advancements in the medical field specifically have led to people living longer, healthier lives. In short, this is not meant to be a fear-mongering essay. However, the overwhelming connection to modern technology, especially the Internet and the emerging field of AI, has been disconnecting people from their local communities, and perhaps making people a little more jaded and callous towards each other. Many people terminally online, especially those caught in echo chambers seem to lack compassion for each other, much like the people in the world of “Karn Evil 9”. There are also some glaring parallels between the “Priests of Syrinx” of the world of “2112”, and the worship of modern-day Silicon Valley tech billionaire moguls, with their cult-like followings (cough cough ELON MUSK cough cough). And between both of them, AI technology using algorithms could be potentially used to take power away from the artists.
One last thing that is important to note is the historical circumstances of the 1970s, and specifically what motivated these two bands to create their respective works. What made them write work that could be interpreted in this sense, and how has it maintained relevancy over the past 50 years?
“2112”, specifically, was created at a point in Rush’s career during which they were delivered an ultimatum after their last album, Caress of Steel, was a commercial failure. This song in particular was written as a giant middle finger to the music industry, doubling down on their morals: the record company wanted an album with shorter, more commercial songs, and instead they got a 20-minute, side-long, science fiction epic about music censorship. Certainly, the main theme in “2112” is not necessarily about technology, Rush were quite fond of using synthesizers later in their career, but more about the censorship and regulation of art. Surely, the modern AI debate is also not about the technology itself, but rather how it is used: censoring the humanity from art. It is about the suppression of creativity, a trait that can only be possessed by intelligent creatures. It is this theme that makes it applicable to society nearly 50 years later. In “2112”, the suppression of art made by humans was to spread propaganda and to control the population, in modern society, it could be more about making a marginal profit for businesses. 
“Karn Evil 9”, however, was more inspired by the rapidly changing technology of the 1970s, much of which Emerson, Lake, and Palmer helped to popularize in music, like monophonic and later polyphonic synthesizers and electric percussion. It is therefore more change that lies at the heart of “Karn Evil 9”: it is a rebellion against technology that drives the plot forward, and brings it to its ambiguous conclusion, with the computer stating that it is the perfect being, not the human. Does the computer ultimately win? Does anything at all change in “Karn Evil 9”? Both of these questions remain applicable to modern society as well, as society is still rapidly undergoing changes in technology. It ironically change that has given “Karn Evil 9” its staying power. 
Both of these works have remained relevant because the issues expressed in them have remained so: censorship and regulation of art has been an issue for centuries and has entered a new debate with the advent of AI technology. And, of course, what has been more stable in life than constant change, especially the relationship between humanity and technology? These are broad themes that can be applied to the debate of AI in art, landing squarely on the side of “art is for people to make”, however can be applied to many aspects of life.
*Although it is important to note that the AI is incapable of winning a Grammy, and a song made only with AI is not eligible
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